{"id":1026,"date":"2020-02-10T08:32:41","date_gmt":"2020-02-10T07:32:41","guid":{"rendered":"http:\/\/anm.hfk-bremen.de\/?p=1026"},"modified":"2020-02-11T15:12:32","modified_gmt":"2020-02-11T14:12:32","slug":"elektronisches-konzert-66","status":"publish","type":"post","link":"https:\/\/anm.hfk-bremen.de\/?p=1026","title":{"rendered":"Elektronisches Konzert #66"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Elektronisches Konzert #66<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Mittwoch| 12. Februar 2020 | 20:00 Uhr<br>Konzertsaal der Hochschule f\u00fcr K\u00fcnste<br>Dechanatstr. 13-15<\/h3>\n\n\n\n<p>Im Mittelpunkt des Elektronischen Konzerts #66 stehen zwei Werke, die auf sehr unterschiedliche Weise Proteste thematisieren. W\u00e4hrend Luigi Nono in Contrappunto dialettico alla mente (1968) unter anderem ein Flugblatt des Harlem Progressive Labor Club verwendet, evoziert Monique Jean in T.A.G. (2013) Klangbilder demonstrierender Menschenmengen ganz ohne Sprache und mit vorwiegend synthetisch erzeugten Kl\u00e4ngen.<\/p>\n\n\n\n<p>Luigi Nono (1924\u20131990)<br><strong>Contrappunto dialettico alla mente<\/strong> (1968)<br>Klangregie: Qi Chu, Yejun You<\/p>\n\n\n\n<p>Maria Pelekanou (*1983)<br><strong>Nach der Stille<\/strong> (2020)<br><br>Monique Jean (* 1960)<br><strong>T.A.G.<\/strong> (2013)<br>Klangregie: Yeeun Go, Maria Pelekanou<\/p>\n\n\n\n<p>Eintritt frei!<\/p>\n\n\n\n<p>Eine Veranstaltung des <a href=\"https:\/\/anm.hfk-bremen.de\/\">Atelier Neue Musik<\/a><\/p>\n\n\n\n<p>Das Atelier Neue Musik ist Partner bei <a href=\"https:\/\/anm.hfk-bremen.de\/wp-admin\/www.klangpol.de\">klangpol. Netzwerk Neue Musik Nordwest<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elektronisches Konzert #66 Mittwoch| 12. Februar 2020 | 20:00 UhrKonzertsaal der Hochschule f\u00fcr K\u00fcnsteDechanatstr. 13-15 Im Mittelpunkt des Elektronischen Konzerts #66 stehen zwei Werke, die auf sehr unterschiedliche Weise Proteste thematisieren. W\u00e4hrend Luigi Nono in Contrappunto dialettico alla mente (1968) unter anderem ein Flugblatt des Harlem Progressive Labor Club verwendet, evoziert Monique Jean in T.A.G. [&#8230;] <a class=\"read-more\" href=\"https:\/\/anm.hfk-bremen.de\/?p=1026\">Read More <i class=\"icon-double-angle-right\"><\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":1037,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,16,14],"tags":[],"_links":{"self":[{"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/posts\/1026"}],"collection":[{"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1026"}],"version-history":[{"count":5,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/posts\/1026\/revisions"}],"predecessor-version":[{"id":1034,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/posts\/1026\/revisions\/1034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=\/wp\/v2\/media\/1037"}],"wp:attachment":[{"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anm.hfk-bremen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}